When a district attorney’s niece is murdered and the man who is responsible is exonerated, the attorney is willing to risk everything she has to bring the murderer to justice.

A group of friends decide to spend a weekend together at a country house, but an unexpected accident forces them to stop at a strange and remote estate. In this abandoned and eerie place, a rare antique camera is discovered. Slowly the camera draws them into a mystical and tragic chain of events that none of them could have seen coming. Anyone who has their picture taken by the camera sees a photo revealing their death. Many of them lose their lives in excruciating ways, as they race to solve the mystery of the camera.

Alexa’s character owns a photo studio where she creates the most beautiful portraits for engagements, business owners, real estate brokers, etc. in a formal studio setting. In addition to photography, she also conducts videography. Interestingly enough, mysteries have a way of finding her and she has a strong intuition and knack of solving them. Sometimes the mystery comes through the doors of the shop, sometimes it might be something she sees while shooting on-assignment, and sometimes she’ll spot something at a crime scene that everybody missed. Alexa’s character also uses her videography skills to start a part-time job – she gets a police scanner and begins to take the store van to breaking stories – could be a fire, could be an accident or even a murder. If her footage is good, she tries to sell it to local news stations for broadcast.

The Magnificent Seven Deadly Sins is a 1971 British comedy film directed and produced by Graham Stark. Its title is a conflation of The Magnificent Seven and the seven deadly sins. It comprises a sequence of seven sketches, each representing a sin and written by an array of British comedy-writing talent. The sketches are linked by animation sequences. The music score is by British jazz musician Roy Budd, cinematography by Harvey Harrison and editing by Rod Nelson-Keys and Roy Piper. It was produced by Tigon Pictures and distributed in the U.K. by Tigon Film Distributors Ltd..

A brief fling between a male disc jockey and an obsessed female fan takes a frightening, and perhaps even deadly turn when another woman enters the picture.

High school seniors and best friends, Sonny and Duane, live in a dying Texas town. The handsome Duane is dating local beauty, Jacy, while Sonny is having an affair with the coach’s wife, Ruth. As graduation nears, both boys contemplate their futures. While Duane eyes the army and Sonny takes over a local business, each boy struggles to figure out if he can escape this dead-end town and build a better life somewhere else.

Paratroopers Captain ‘Rip’ Murdock and Sergeant Johnny Drake are mysteriously ordered to travel to Washington, DC. When Drake learns that he is to be awarded the Medal of Honor, he disappears before newspaper photographers can take his picture. Murdock follows the clues and tracks him down, where he learns Drake is dead. Further investigations reveal unexpected twists. Rip learns that Johnny had been accused of murder and sets out to find out whatever he can. He falls in love with Coral whose husband Johnny is supposed to have killed.

Laura and Harrison have the picture-perfect romance built on the foundation of a shared love of music. After a deadly accident, Laura gets the chance to save the love of her life when she discovers that their mixtape can transport her back in time.

Future brothers-in-law Tyler and Byron bond by dressing as the Wasco Clown and taking pictures that spread across the internet, a viral hit overnight. What starts as great fun turns deadly as the very real Wasco Clown returns to terrorize the town. A Tale of Legend come to Life, a test of the friends’ courage to overcome their fear of a circus nightmare, resurrected.

A photographer lures women to his studio, then injects them with a deadly serum before taking pictures of their corpses. But when the photographer starts hearing strange sounds and having strange visions, he begins wondering if he’s going insane or if its his latest victim coming to exact vengeance on him.

In the quiet family town of Suburbicon during the 1950s, the best and worst of humanity is hilariously reflected through the deeds of seemingly ordinary people. When a home invasion turns deadly, a picture-perfect family turns to blackmail, revenge and murder.

A stand-up comedian confesses to a murder on-stage at an open mic night to a shocked audience – his crime the result of a deadly triangle formed between his older sister, just released from prison after a 20-year stay for the murder of their parents, the loving bond he now shares with a caring surrogate family, and the ultimate choice he must make between them – his dysfunctional blood ties with his own sister, or his picturesque view of the ideal family.

Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.

A man attempts to crack the security questions to his dead brother’s computer to find a picture for hus funeral. But each question brings him closer to the resentment he’s avoiding.